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Voyageur Storytelling's Canadian Storytelling Exposé Part I Canadian Storytelling: A Profile Storytellers, Groups and Festivals |
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Welcome to our Profile of Canadian Storytelling: Storytellers, Groups and Festivals, an exposé, directory, web-guide and who-knows-what-it-will-become compiled by Voyageur Storytelling located in Northern Bruce Peninsula, Ontario.
This service is being launched in early 2012, and is expected to develop fully in two years. It thus remains very much a work in progress. All suggestions for expanding and improving it will be gratefully received.
Most importantly, if you have an idea, or are a storyteller, group or festival we have missed, or know of one, or if you think we need to correct or up-date something, please tell us what we need to know by e-mail, with "Storyteller" in the subject line. We'll up-date every week or two, as time allows. |
For a start we are going to cover the topic under five headings:
Profile of Canadian Storytelling (this page)
Ideas about Canadian Storytelling (learn more)
Canadian Storytellers (learn more)
Canadian Storytelling Organizations and Groups (learn more)
Canadian Storytelling Festivals (learn more)
Under the rubric of Ideas we have added two more sections, and continue to work for more. Those launched so far simply present ideas from earlier writings, which remain valid but have slipped out of sight. We are working on new materials. The present ones are:
Thoughts on Storytelling Performance Standards (found here)
The Twisted Tale of the Whole Hog (found here)
We have launched this service because we believe that Canadian Storytelling, as a whole, is not nearly well enough known. To be sure, Storytellers of Canada ~ Conteurs du Canada (SCCC) does its best, but is heavily dependent on volunteers to do the work, a severe constraint. Also, its perspective on Canadian storytelling tends to be determined by a small number of working members, who naturally find it difficult to represent the whole.
At the time of compilation (February 2012) we had identified 365 conspicuous Canadian storytellers, of whom 199 (55%) have recently been members of SCCC, and 110 (30%) are currently. (The latter percentage will no doubt increase as people renew their memberships.) For example, SCCC is severely under-represented in Québec (19 of 112 (17%) recently; 12 of 112 (11%) currently). All listings, including ours, are likely to under-estimate aboriginal tellers.
We are steadily adding tellers to the list. We will up-date the statistics from time to time. The current total is given on the Tellers page. |
We are trying to take a broader view, although we are members of SCCC and intend to stay that way. Leslie was one of the founders and the first Ontario coordinator, and Paul was the first editor of the SCCC newsletter (now called The Raconteur) when it formed an insert in the now-defunct Appleseed Quarterly. He also chaired the committee that developed the SCCC Ethical Guidelines. We have been active in the past, although not now, largely because SCCC holds its annual gathering (the heart of the organization's life) during the summer, our performing season, when we cannot attend.
We are calling this site an exposé, exploiting the second definition of the word, which is (c.f. the Canadian Oxford Dictionary) "an orderly statement of facts". The information we display will be such as we can find in public sources or is volunteered to us.
Canadian Storytelling: Some Statistics
(as of February 2012)
Note: All data are preliminary and subject to further investigation
Table 1: Totals
Storytellers* |
365
|
Groups** |
72
|
Festivals |
29
|
Total |
466
|
* "Storytellers" means "conspicuous storytellers"; see clarification below.
** "Groups" include organizations, guilds, collectives, circles, etc.
We are, we hasten to clarify, using the term "storyteller" in a somewhat restricted sense, including only "conspicuous storytellers", those who not only tell stories, but have made some discoverable effort to be noticed beyond the bounds of a particular local group, formal or informal. For the time being "conspicuous" means taking some initiative to appear on the internet, usually by commissioning a web site or appearing in a published directory. As this project matures, we may well discover that some storytellers are using other media or approaches to attract attention, but we will always want to concentrate on those who are making some deliberate effort to attract a wider audience, who are, in other words, engaging in "marketing" in some fashion, who are acting as "professionals" in that sense, and not only in an artistic sense.
Table 2: Distribution by Province
Tellers
|
Groups
|
Festivals
|
|
Canada |
365
|
72
|
29
|
Newfoundland & Labrador |
9
|
1
|
0
|
Prince Edward Island |
3
|
0
|
1
|
Nova Scotia |
12
|
5
|
1
|
New Brunswick |
10
|
1
|
1
|
Québec |
112
|
25
|
12
|
Ontario |
118
|
22
|
8
|
Manitoba |
8
|
3
|
0
|
Saskatchewan |
12
|
2
|
0
|
Alberta |
31
|
5
|
1
|
British Columbia |
41
|
5
|
2
|
Yukon |
2
|
0
|
1
|
Northwest Territories |
6
|
1
|
1
|
Nunavut |
0
|
0
|
0
|
Unknown |
1
|
|
|
National |
|
2
|
1
|
Table 3: Tellers per Capita by Province
Population
('000) |
Tellers
|
Tellers
per million |
|
Canada |
34,500
|
365
|
10.6
|
Newfoundland & Labrador |
511
|
9
|
17.6
|
Prince Edward Island |
146
|
3
|
*
|
Nova Scotia |
945
|
12
|
12.7
|
New Brunswick |
756
|
10
|
13.2
|
Québec |
7,980
|
112
|
14.0
|
Ontario |
13,373
|
118
|
8.8
|
Manitoba |
1,251
|
8
|
6.4
|
Saskatchewan |
1,058
|
12
|
11.3
|
Alberta |
3,779
|
31
|
8.2
|
British Columbia |
4,573
|
41
|
9.0
|
Yukon |
35
|
2
|
*
|
Northwest Territories |
44
|
6
|
*
|
Nunavut |
33
|
0
|
0
|
* Because of small numbers, these ratios are not meaningful.
These numbers, while preliminary, are certainly interesting, and we may venture a few analytical observations:
1. Storytelling is a small phenomenon, wherever you go.
2. As you move from east to west, the proportion of storytellers in the population drops significantly when you cross the Québec-Ontario line. The reasons for this pattern may be cultural, or demographic, or both. Given the numbers, it is unlikely they are accidental. This question needs further investigation.
Table 4: Tellers in Selected Cities
(by address, not by metropolitan area)
City
|
Tellers
|
Montréal |
53
|
Toronto |
47
|
Ottawa |
21
|
Victoria |
19
|
Edmonton |
13
|
Calgary |
9
|
Vancouver |
8
|
Winnipeg |
8
|
Halifax |
6
|
St. John's |
6
|
When we have identified metropolitan areas, we will find, we think, that storytellers are even more concentrated in large urban areas than this table suggests. Even so, over half of Canadian Storytellers, as we are identifying them, are shown to live in large urban centres. Storytellers with professional aspirations would be wise to go there, at least to get started, if they wish to find supportive colleagues with a diversity of approaches, although perhaps only Montréal (especially) and Toronto can be considered truly rich environments in the full sense. Ottawa and Victoria (and to a lesser extent Edmonton) are notable, however. The data from Vancouver need further exploration.
The weight of numbers and cultural diversity clearly has something to do with these patterns. What could be called "accidents of leadership", or lack of it, may also explain some of the variation in data from centres of comparable size. Perhaps we may hypothesize that a dynamic storytelling centre requires not only artistic energy and ambition but also a "community energy" that includes leadership, an inclusive ideology, and a general willingness to do the work.
It will come as no surprise to anyone familiar with Canadian Storytelling that the majority of tellers are women. The regional differences are interesting, however:
Table 5: Gender Profile
Canada and Provinces or Regions with More Than 25 Tellers
Tellers
|
Women
|
Men
|
Percent
Women |
|
Canada |
365
|
254
|
111
|
69.6
|
Eastern Provinces |
34
|
22
|
12
|
64.7
|
Québec |
112
|
64
|
48
|
57.1
|
Ontario |
118
|
90
|
28
|
76.3
|
Prairie and North |
28
|
20
|
8
|
71.4
|
Alberta |
31
|
27
|
4
|
87.0
|
British Columbia |
41
|
31
|
10
|
75.6
|
Once again we can only guess at the reasons for these results, and their implications. In a reasonably just culture, of course, they would not have any implications, any more than would the age profile if we had the data. We might perhaps give offence by even suggesting that they could have implications and so, of course, we are not suggesting it.
We will continue to gather data, and perhaps more patterns will emerge.
Thank you for visiting this part of our site. Please bear with us while we build it. Please send us an e-mail or give us a call if you wish to comment or add or correct anything.
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Voyageur Storytelling, February 2012
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